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'What makes Smorgasbord darker and more despairing than any of LewisвЂ™ other films, however, is the fact that this threat is no longer articulated in terms of any particular existence or identity: WarrenвЂ™s problem is not so much, like that of LewisвЂ™ earlier protagonists, his failure to measure up to a predetermined role (the movie star in The Patsy (1964), the normative heterosexual male in The Ladies Man (1961) and The Nutty Professor (1963)), as it is an inability to exist at all, even on a purely physical level, without experiencing and causing an intolerable amount of suffering.' Michael Cramer July 2016 'Deconstructing Jerry: Lewis as Director' Senses of Cinema Issue 79.(Yet in Europe it was another hit, topping вЂњHardly WorkingвЂќ at the French box office.)' AugChris Hicks : Deseret News

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' вЂњCracking UpвЂќ (aka вЂњSmorgasbordвЂќ) in 1983, a film that never made it to American theaters, instead going straight to cable TV and videocassette.

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'Thus, inevitably, he made another, making the ever-present concept of suicide in JerryвЂ™s films (literally or artistic, attempted or accidental) the through-line for a last loose, soaring series of sketches, stripped down to essentials.' Christoph Huber Cinema Scope magazine, Issue 57.

Hoberman wrote in the Village Voice, вЂњthe ascetic, abstract quality one associates with auteurs in the moody twilight of their obsessions.вЂќ

'It should be considered as one of the most unfunny comedies ever made.' AugDennis Schwartz.

'Lives up to its title in ways that seem painfully intentional.

'A twilight smorgasbord, serenely avant-garde, and the culmination of the development of Lewis' cinematic language' NovemFernando F.

'a mostly cold buffet of random Lewis routines in which the director-star falls off slippery furniture, cracks up automobiles, fails at suicide and can't even walk across the floor of his psychiatrist's office without taking a header.' Vincent Canby The New York Times.

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Warner Archive released the film on made-to-order DVD in the United States on May 18, 2010. The film screened as part of the 'Jerry Lewis: The Total Filmmaker' program at the 2016 Melbourne International Film Festival (July 28 вЂ“ August 14). It later played a smattering of revival houses, art cinemas, and film festivals. In May 1985 it was given a two-day run at New York's Thalia Theater, under its original title, double-billed with The King of Comedy. theatres, going at first directly to cable and on videocassette. The film was released theatrically in some European countries, notably France (where it was released on Apby Warner Bros.), Belgium and Italy. Other highlights are when Nefron tries to order dinner from a waitress who insists on listing every option on the menu (done in a whiny nasally voice), a Southern sheriff with a glove problem (Lewis, who plays at least two other parts as well), and a running gag involving Nefron's attempts to quit smoking. The opening credit sequence is a tour-de-force performance of Nefron (Lewis) unable to get traction on the furniture and floor of his doctor's waiting room (a wry comment, under the pratfalls, on vinyl and plastic decor) and has justifiably become a fan favorite. The film is a series of short comic skits, set-pieces, and black-out gags, unified by Nefron's attempt to overcome his phobias and malaise, fit into society, find meaning, and achieve happiness. In December 1982, after filming completed, Lewis underwent triple-bypass heart surgery at the Desert Springs Hospital, Las Vegas NV. It includes many cameos, including Sammy Davis Jr., Dick Butkus, and Milton Berle.

Milton Berle as the Lady (voiced by Ruta Lee).

The story ends with Warren and a young woman attending a film called Smorgasbord. Although Warren is now cured, the psychiatrist has experienced transference and now has all of Nefron's problems. Eventually the psychiatrist uses hypnosis to cure Warren.

Warren is such a failure that even his many attempts to commit suicide fail. Through a series of flashbacks the viewer sees Nefron's life story. Warren Nefron (Jerry Lewis) is a klutz who cannot do anything right. The film marked a one-time reunion with Bill Richmond, Lewis' screenwriting collaborator on such films as The Nutty Professor and The Patsy. It was the final film directed by Lewis and his last for Warner Bros. Originally titled Smorgasbord, it was filmed in 1981 and 82 and only received limited distribution in the United States. Cracking Up is a 1983 American comedy film directed by and starring Jerry Lewis.